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Vanity or Vice

On the desk

About Vanity or Vice

Vanity or Vice is an evidence-aware beauty publication about skincare, treatments, devices, claims, cost, burden, maintenance, providers, and better-informed decisions.

A writer's corner in late afternoon light: a wooden desk under a window with an open laptop and a cold mug of tea, a gray cardigan over the pushed-back chair, product cartons with pencil notes beside them, and a cork board of pinned printed pages above
Published
Jul 29, 2026
Updated
Sep 24, 2026

Beauty can be fun. It can also survive a follow-up question.

Vanity or Vice exists because I like beauty enough to enjoy it and enough to get suspicious the moment someone starts promising miracles under very flattering lighting. Both of those can be true at once. Most of the internet insists you pick one.

How I ended up doing this

I’ve spent more than a decade — and, honestly, closer to a year’s salary — inside the beauty and treatment world as a customer. Not as an observer. I’ve bought the serum, booked the treatment, sat through the consult, and done the thing more than once where you fall for a result you want and hand over the card before you’ve asked a single useful question. Cart fully ahead of horse. It happens to smart people. It happened to me.

Some of it was worth it. Some of it was expensive weather. A few things I would do again tomorrow; others I think about the way you think about a bad haircut with a four-figure price tag. Eventually the receipts turned into homework: I pursued formal training and earned an aesthetics license because I had already spent years living this world and wanted to understand what was happening underneath the pitch.

More usefully, I have no chair to fill and no package to sell. Nothing on this site is a step toward booking you for anything. I paid retail, same as you.

The formal study gave me vocabulary for questions I was already asking. The homework is still the point. What kept bothering me was the missing middle: products described without context, treatments sold with gorgeous before-and-afters and almost no conversation about upkeep, downtime, cost, uncertainty, or who ought to ask more questions before booking. Luxury got treated like evidence. Wanting something got treated like a character flaw. Neither one is useful.

So this became the place where both things get to be true: you can want the serum, the treatment, the ritual, the beautiful packaging, the very nice spa day, and still ask what it does, what it costs over the years, what the evidence actually says, what the maintenance really looks like, and whether it’s the right call for you and a qualified provider.

Why I love this subject

Beauty is personal, and it’s allowed to be playful, confidence-building, comforting, a little indulgent, and occasionally ridiculous in the best possible way. I have no interest in stripping that out in the name of sounding Serious. I just don’t think enjoying beauty means switching off your judgment at the door.

I like the little rituals. I like learning why two ingredients behave completely differently. I like a treatment that genuinely earns its place, and I especially like working out whether the expensive thing is actually better or just wearing a heavier jar. Mostly I like handing people enough context to make a real decision, without making them feel foolish for caring about their own face in the first place.

One person, no pretend medical board

I’m Rachel. I have a full-time career outside publishing, and Vanity or Vice is a solo operation: I research, write, edit, build, and maintain the whole thing myself. I’m not your provider, and an article here is never your treatment plan. When a question belongs with a dermatologist, a physician, an injector, or another qualified professional, my job is to help you ask it better — not to answer it from a browser tab.

There is one desk I do not write. Hormones, pregnancy, postpartum and the long middle of perimenopause belong to Claire Manson, who is a registered nurse and brings credentials I do not have. She prepares questions rather than handing down rulings, which is the correct instinct for that subject. Her pillar starts here.

I am also not the beauty police. I am not here to tell you the thing you want is silly, or that you should age gracefully, or that you would be prettier if you cared less. You are an adult with your own face and your own money. What I can do is hand you the questions I wish someone had handed me before I learned some of this the expensive way.

Rachel

I am a technical manager, a mother, a home cook, a traveler, a person who has spent a frankly unreasonable amount of time learning about beauty, a maximalist who still wants the chairs to work, a planner who enjoys the planning, a builder who keeps turning interests into systems, and the person in my family most likely to answer a casual question with context nobody requested but everyone will eventually use.

I like beautiful things and I distrust beautiful nonsense. I can spend months researching something and still change my mind in ten minutes when better evidence shows up.

Because if there is one thing beauty has taught me, it’s that knowledge and irrational optimism are perfectly capable of occupying the same person at the same time.

What interested me wasn’t perfection. It was transformation.

What I didn’t understand at the time was that learning more would make me less certain, not more.

The standing offer

  • beauty without the shame;
  • skepticism that doesn’t suck all the fun out of the room;
  • cost, maintenance, burden, uncertainty, and evidence sitting in the same conversation as desire;
  • sharper questions before you buy or book;
  • full permission to decide the thing is wonderful, unnecessary, worth every penny, or absolutely not.

If you would rather see the work than read about it: Verdicts is where I commit to a call, the Register grades the evidence sitting underneath one, and How to Take a Claim Apart is the method both of them run on — take it and use it on me. If you have no idea where to start, Find Your Way In sorts by whatever is currently open in your browser. Where the money comes from, which links pay, and what none of this is allowed to do: Disclaimers & Disclosures.

Vanity or Vice is a Northern Lantern House publication. Same publisher; its editorial judgment stays in this room. The other rooms are Room for Drama, Salty & Clever, Tangled Thistle, Hook the Horizon, and Elsewhere, Apparently.

Beauty keeps the good lighting here. The claims just have to still look decent when the lights come back on.